06 September 2008

Threefer

A trio of articles from the B&H newsletter today. First up, Being Green in the Field - Reducing Your Carbon Footprint in Audio Field Production. Snip:

Anyone who works in audio field production knows that the one environmentally harmful item you burn through day in and day out is batteries. Wireless microphone systems tend to eat up battery life the quickest, but your portable field mixer and portable audio recorder both require a lot of juice. Many audio professionals just factor in the cost of single-use batteries and the need to constantly supply themselves with new ones as a repetitive chore on the job. There is an alternative to dumping a handful of spent AA's into the trash/landfill at the end of the day. The solution is to harness the power of rechargeable professional video camera batteries for your audio equipment.


Next, Exploring the Boundaries – A Close Look at an Invisible Microphone. Snip:

Boundary microphones as a class are often overlooked – literally. Flat-lying and inconspicuous by design, they lack the glamorous appearance and prestige of their conventional large-diaphragm counterparts, which are often photographed in the company of the world's best-known and culturally iconic singers, entertainers and public servants...

Regardless of their humble, vaguely bug-like appearance, boundary microphones represent some of the most versatile, functional, and reliable mics ever made, and we'd like to take a brief look at how they work and what they can do for you.


And finally, Capturing Critical Interviews: Under the Gun of Broadcast Television. Take notes on this one, kids; this is the kind of stuff that can save one's bacon. Snip:

There is no pressure in the world like knowing that the next interview that you have been granted is a one time shot, with no chance for a retake. Weeks of persistent phone calls and constant maneuvering have led you to a once in a lifetime opportunity that is sure to keep you on your toes in an effort to make sure everything runs smoothly. This pressure is magnified when an entire broadcast network is counting on you to get it right the first, and usually, only time.

As we touched on last month, Raphael Gorham has, among other things, acted as head field audio engineer for many high profile one-off interviews for broadcast television...

We asked him a few questions about recording that all-important interview without loosing [sic] your head.


Link to the B&H Newsletter archive.
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