Ladies and gents, I am booked.
I'm now ten days into a twenty-two day shoot in and around Portland, Oregon for the movie Trainmaster, directed by Phil Branson.
I'm production sound mixer on my first full feature (I've only day-played before). We're shooting single-system (yeah, I know...), with two Panasonic HVX-200's, utilizing both P2 and Firestore hard drives.
It's long days in hot rooms with sweaty people. Luckily, everyone's cool and I have an awesome boom op in the form of Creed Spencer. Actually having someone who is more of a teammate rather than an intern has made an incredible difference in the efficiency and quality of the work that we've been able to produce.
Plus, I finally got my kit.
Things happened in a hurry. I was asked to come on board about ten days before we started shooting, so I had to make it all happen post-haste. Since I'd been refining my wish list for the past two years, it was only a matter of calling in the order and getting it shipped in time. As it turned out, I used the kit for the first time on the first day of shooting (after having diligently tested everything at home the night before, natch:). A full review of each piece will be forth coming sometime after we finish.
This is what we're working with:
Sound Devices 442 mixer
Sennheiser G2 Evolution wireless
Countryman B3 lav mics
K-tek boom pole
Rycote S-Series suspension
Petrol PEGZ-1F audio bag
AKG Blueline modular mic system with SE-300b amp body, CK-93 hyper-cardioid capsule, and CK-98 short shotgun capsule
We're slated to wrap in early August. Until then, quiet on set. :)